Non-binary performer Mason Alexander Park has been confirmed as the lead in the West End transfer of “Oh, Mary!” at London’s Trafalgar Theatre. Park takes on the title role originally performed on Broadway by Cole Escola in this dark comedy about Mary Todd Lincoln in the days leading up to President Lincoln’s assassination.
The production, an 80-minute one-act play, presents Mary Todd Lincoln as a temperamental, alcoholic former cabaret star, giving Park ample opportunity to display their considerable acting range. Park appears alongside Giles Terera, who portrays Abraham Lincoln in this irreverent historical spoof that has already garnered attention for its campy, comedic approach to American history.
Park brings substantial theatrical experience to the role, having previously starred as Hedwig in the Broadway tour of “Hedwig and the Angry Inch” and as the Emcee in “Cabaret.” Their musical and cabaret background provides a strong foundation for the heightened performance style required in “Oh, Mary!” The show itself has been described as an uproariously dark comedy in promotional materials, perfectly aligning with Park’s talent for blending humor with dramatic elements.
Beyond the stage, Park has built an impressive screen career with roles in Netflix’s “The Sandman” and “Cowboy Bebop,” NBC’s “Quantum Leap,” and Amazon’s “Critical Role: The Legend of Vox Machina.” Their Helen Hayes Award further demonstrates their critical acclaim as a theatrical performer.
Early audience reactions and social media responses have highlighted Park’s star turn in the London production. Theatre press has published profiles noting Park’s career highlights alongside their casting in this high-profile transfer from Broadway.
The West End production maintains the creative team from the Broadway run while bringing fresh energy through its new cast. The play’s title might cause some confusion, as it shares its name with various other works including albums by Girls Generation and ScoLoHoFo. As with previous performers who have tackled the role of Mary, Park has creative latitude to bring their own vocal, physical, and comedic choices to the character.
Critics will likely compare Park’s interpretation to previous portrayals, but the London transfer already appears to be capitalizing on Park’s unique talents and the production’s reputation for blending absurdity with surprising moments of heart.
