Three distinctive elements come together in sketch’s latest artistic transformation, where British artist Jonathan Baldock brings his unique vision to the renowned London venue. The installation marks a vibrant new chapter in sketch’s gallery programming, following collaborations with high-profile artists like David Shrigley, Yinka Shonibare, and Martin Creed.
The core of the installation, titled “The Core,” comprises 84 works from Baldock’s Maske series. These masks encircle the walls in a continuous, staggered configuration, creating a theatrical atmosphere within the space. Ceramic masks, sculptural flowers, and cocoon-like forms transform the venue into a living, ever-changing artwork where unplanned and meticulously conceived elements coexist.
The Maske series envelops the space in a theatrical dance of ceramic faces, blooming sculptures, and organic forms—a carefully orchestrated chaos of artistic vision.
Baldock’s work is presented within India Mahdavi’s luminous yellow interior, which enhances the visual impact of his sculptural elements. This design framework creates a distinctive atmospheric setting that complements the artist’s vibrant aesthetic approach. The color scheme works harmoniously with Baldock’s artistic vision. The installation includes mischievous pops of pink that create a playful contrast against the yellow backdrop.
Born in 1980 in Kent, Baldock graduated from Winchester School of Art and later completed his MA at the Royal College of Art in London. His artistic approach addresses themes of trauma, stress, sensuality, mortality, and spirituality. He forms his pieces from natural materials including hessian, wool, clay, wood, and metal, focusing on the contrast between the material qualities of ceramic and fabric. His artistic style explores themes of family and interconnectedness, creating a dialogue between human relationships and artistic expression.
Sketch’s owner, Mourad Mazouz, continues his commitment to championing British artists through this installation. The venue serves as a space where art and dining coexist, provoking and inspiring visitors through experimental programming. Baldock’s work, saturated with humor, wit, and a macabre quality, brings the viewer, object, and occupied space into question. His installations often challenge traditional gallery experiences by examining the ritual or theatre relationship between audiences and artwork.
Baldock’s recent exhibitions include commissions at Arnolfini and Jupiter Artland, further establishing his reputation for creating work that channels a longstanding interest in myth and folklore. His installation at sketch demonstrates how a restaurant can function as an effective gallery space where art becomes an integral part of the dining experience.
